AJA V2Analog Specifications Page 58
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If MEDIA parameter 15.1 is set to "All", Ki Pro allows the playback of all clips on the
Storage Module in the order they were created, but does not allow for video black/
silence prior to the first clip or after the last clip recorded. In this way, Ki Pro is more
like a tape recording and the traditional VTR behavior. Like a tape recording, Ki Pro
will display continuous timecode for clips that were recorded one after another, but
Ki Pro will also display timecode for clips that might have been recorded with
differing or non-continuous timecode values. In such cases, the user must be aware
of the timecode changes and log and capture material accordingly, just as would be
the case if using a videotape with discontinuous timecode.
There are other important considerations when working with Ki Pro under RS-422
control. When media is mounted in Ki Pro, the most recently recorded clip is
displayed. If using the MEDIA parameter 15.1 Play Media in the "All" selection, this is
akin to having a videotape inserted into a VTR "tail out" and not rewound. Also note
that if using the 15.1 Play Media parameter set to "One", the clips would need to be
stepped through manually via the Ki Pro front panel Select up/down arrows or via
the web UI via the Transport page with the same Select up/down arrows to move
between clips that are to be controlled.
Since Ki Pro has a default state of E-to-E when stopped, if both the input and output
of a non-linear editor are simultaneously connected to Ki Pro, you may then need to
begin playback on Ki Pro to produce a clean picture. After this initial playback
happens under remote control, subsequent playback and stop/pause will appear as
expected as Ki Pro will not re-enter the E-to-E state.
Due to the fact that Ki Pro is file based, when shuttling across clips at high speed, a
"hop" may be visually perceptible as files close and open; this does not compromise
the operation of Ki Pro under RS-422, but may seem different from how a tape-based
VTR would respond under similar conditions.
41.1 VIDEO SG FRMT
This parameter determines the video format output from Ki Pro’s internal test signal
generator. This parameter is used with parameter 41.2 to determine the type of
video test signal output by Ki Pro.
41.2 VIDEO SG
This parameter determines the video signal output from Ki Pro’s internal test signal
generator. This parameter is used with parameter 41.1 to determine the type of
video test signal output by Ki Pro.
41.1 VIDEO SG FRMT 525i 29.97
625i 25
720p 50
720p 59.94
1080PsF 23.98
1080i 25
1080i 29.97
Select the video format desired for test signal output.
41.2 VIDEO SG OFF (default)
Black
75% Bars
100% Bars
Turn test signal output OFF.
Video test signal output is color black.
Video test signal output is 75% color bars. This 75%
amplitude,100% saturation test signal is useful to check
low frequency response and video tilt as well as the
performance of video clamping.
Video test signal output is 100% color bars. This 100%
white full field bars test signal is helpful to check chroma
amplitude versus overall video level.
- Installation and Operation 1
- Limitation of 3
- Liability 3
- Table of Contents 5
- Chapter 1: Introduction 9
- Features 10
- Software 11
- What’s In The Box? 13
- Chapter 2: Getting Started 15
- Operator Side 16
- ADJUSTSELECT 17
- Displays and Indicators 19
- Other Front Panel Features 19
- Connector Side 20
- LTC Timecode Input And Output 21
- SDI Input and Outputs 21
- Component YPbPr 21
- 9-pin Connector 22
- ExpressCard/34 24
- Memory Cards 24
- Firewire 800 25
- Connector 25
- Power connector 25
- (AC Adapter) 25
- Installation 26
- Camera Mounting 27
- Using AC Power 31
- Using DC Power 31
- Remote Network Control 32
- TCP/IP Information 33
- Yo u’ll Need 33
- Networking via 33
- Networking Ki Pro 34
- TRANSPORT Mode 39
- TRANSPORT Mode (default) 40
- Recording Notes 41
- STATUS menus 43
- INVALID SELECTION 44
- UNRECOGNIZED MEDIA 44
- MEDIA IN USE 44
- MEDIA menus 45
- 16.2 DELETE CLIPS 46
- 17.0 REEL NAME 46
- 17.2 CLIP NAME 46
- Clip Naming—Two Examples 46
- 17.3 CLIP NUMBER 1 to 999 47
- (default = 1) 47
- 17.4 CLIP APPEND 48
- 17.5 ALPHA APPEND 48
- 17.8 TAKE 48
- Custom Clip 48
- 19.1 USE CUSTOM CLIP NAME 49
- 19.2 CUSTOM CLIP NAME 49
- 19.3 USE CUSTOM CLIP TAKE 49
- 19.4 CUSTOM TAKE 49
- Slave Name 50
- 1.1 RECORD TYPE 51
- 1.3 1080p PLAYBACK 51
- 1.4 IN CONVERT 52
- 1.5 OUT CONVERT 52
- 1.6 SDI OUT 52
- 1.7 COMPONENT OUT 52
- 1.8 HDMI OUT 52
- 2.1 VIDEO INPUT 53
- 2.2 AUDIO INPUT 53
- 2.3 AUDIO CHANNELS 53
- 3.1 COMPONENT IN LVL 53
- 3.2 COMPONENT OUT LVL 54
- 3.4 NTSC CONFIG 54
- 4.1 ANALOG AUDIO 54
- 5.1 UPCONVERSION 55
- 5.2 DOWNCONVERSION 56
- 6.1 GENLOCK 56
- 8.0 TC IN 56
- 8.1 TC VALUE 57
- 8.2 TC TYPE 57
- 8.3 ARM RECORDING 57
- 35.2 9-PIN REMOTE 57
- 41.1 VIDEO SG FRMT 58
- 41.2 VIDEO SG 58
- 41.3 AUDIO SG 59
- 50.1 IP CONFIG 59
- 50.2 IP ADDRESS 59
- 50.3 SUBNET MASK 60
- 50.4 STATIC GATEWAY 60
- 50.5 SYSTEM NAME 60
- 50.6 MAC ADDRESS 61
- 50.7 802.11 MAC ADDRESS 61
- 53.0 802.11 AVAILABLE 61
- 53.1 802.11 CONTROL 62
- 53.2 802.11 NETWORK 62
- 53.3 802.11 SECURITY 63
- 53.4 802.11 PASSWORD 63
- 53.5 HIDE 802.11 PASSWORD 63
- 54.1 802.11 IP CONFIG 63
- 54.2 802.11 IP ADDRESS 64
- 54.3 802.11 SUBNET MASK 64
- 55.4 DATE SET 64
- 70.2 DISPLAY INTENSITY 65
- 55.6 TIME SET 65
- 70.1 SCREEN SAVER 65
- 70.3 FAN SPEED 66
- 80.1SERIAL NUMBER 66
- 80.2 SW VERSION 66
- 99.0 FACTORY RESET 66
- Browser Remote Control 67
- General Screen 68
- Information 68
- Controlling Multiple 68
- Example: 69
- How to Use Gang Recording 69
- Resetting Values To 71
- Factory Settings 71
- Update Firmware 81
- Preparing to Update Software 81
- Appendix A: Specifications 87
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