AJA V2Analog Specifications Page 10
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Internally, Ki Pro natively supports the Apple ProRes 422 codecs in hardware,
allowing realtime capture directly to Apple ProRes 422 QuickTime files. In fact,
while the camera is recording to its own tape or file-based memory, Ki Pro can
simultaneously capture the media as ProRes so it’s instantly ready to edit when the
removable storage module is connected to a Mac. With this kind of flexibility, you
can save time, steps, and get your project done quicker and with the highest
quality.
Like AJA’s famous KONA and Io HD desktop products, Ki Pro offers unparalleled
connectivity. Within its portable and rugged form factor, Ki Pro offers SD/HD analog
I/O, SD/HD digital I/O including SDI, HD-SDI and HDMI, two channels of balanced
and unbalanced analog audio with switch selectable line/mic levels, and LTC
timecode in/out.
Control options are also varied and flexible. Ethernet 10/100/1000 connection is
possible via an RJ45 connector, allowing remote control and configuration from a
Mac or PC web browser.
Note:
Though not supported in Versions 1.0, 1.0.1, 1.1 or 2.0, a future release will
support a FireWire 400 (1394a) connector that allows passing control and
timecode from the camera, while a special “AJA Lens Tap” connector provides
the unique ability to intercept lens control data for use in start/stop and
automated recording control. Plus, a FireWire 800 connector will allow a Mac
to mount Ki Pro’s storage devices (SSD, HD, and ExpressCards).
For wireless control, Ki Pro features an internal 802.11b/g antenna and radio for
connection to wireless devices such as iPhone, iPod Touch, or 802.11 equipped
computers. (For detailed illustrations and discussions of Ki Pro connectors and
control features, see Chapter 2.)
This manual covers the installation and operation of Ki Pro and its optional
accessories.
Features
Ki Pro offers a large number of unique features for optimum quality, ease of use,
and support for a wide variety of workflows and environments. Ki Pro provides
flexible standard and high definition recording, with hardware up/down/cross-
conversion for versatile operation in a mixed SD/HD environment, plus a wide
variety of control methods and storage options.
Hardware
•
Apple ProRes 422, Apple ProRes 422 (HQ), Apple ProRes 422 (LT), and Apple
ProRes 422 (Proxy)—SD, HD 720/1080, full-raster 10 bit 4:2:2, realtime,
implemented in hardware
•
Up/down/cross-conversion, 10-bit, realtime, implemented in hardware
•
Component HD/SD analog video I/O (6 BNC)
•
Composite video output (1 BNC)
•
HD/SD SDI I/O (2 BNC)
•
HDMI I/O (2 HDMI)
•
2 channel balanced and unbalanced analog audio I/O (4 XLR, 4 RCA)
•
LTC I/O (2 BNC)
•
IEEE 802.11 wireless
•
10/100/1000 Ethernet LAN
- Installation and Operation 1
- Limitation of 3
- Liability 3
- Table of Contents 5
- Chapter 1: Introduction 9
- Features 10
- Software 11
- What’s In The Box? 13
- Chapter 2: Getting Started 15
- Operator Side 16
- ADJUSTSELECT 17
- Displays and Indicators 19
- Other Front Panel Features 19
- Connector Side 20
- LTC Timecode Input And Output 21
- SDI Input and Outputs 21
- Component YPbPr 21
- 9-pin Connector 22
- ExpressCard/34 24
- Memory Cards 24
- Firewire 800 25
- Connector 25
- Power connector 25
- (AC Adapter) 25
- Installation 26
- Camera Mounting 27
- Using AC Power 31
- Using DC Power 31
- Remote Network Control 32
- TCP/IP Information 33
- Yo u’ll Need 33
- Networking via 33
- Networking Ki Pro 34
- TRANSPORT Mode 39
- TRANSPORT Mode (default) 40
- Recording Notes 41
- STATUS menus 43
- INVALID SELECTION 44
- UNRECOGNIZED MEDIA 44
- MEDIA IN USE 44
- MEDIA menus 45
- 16.2 DELETE CLIPS 46
- 17.0 REEL NAME 46
- 17.2 CLIP NAME 46
- Clip Naming—Two Examples 46
- 17.3 CLIP NUMBER 1 to 999 47
- (default = 1) 47
- 17.4 CLIP APPEND 48
- 17.5 ALPHA APPEND 48
- 17.8 TAKE 48
- Custom Clip 48
- 19.1 USE CUSTOM CLIP NAME 49
- 19.2 CUSTOM CLIP NAME 49
- 19.3 USE CUSTOM CLIP TAKE 49
- 19.4 CUSTOM TAKE 49
- Slave Name 50
- 1.1 RECORD TYPE 51
- 1.3 1080p PLAYBACK 51
- 1.4 IN CONVERT 52
- 1.5 OUT CONVERT 52
- 1.6 SDI OUT 52
- 1.7 COMPONENT OUT 52
- 1.8 HDMI OUT 52
- 2.1 VIDEO INPUT 53
- 2.2 AUDIO INPUT 53
- 2.3 AUDIO CHANNELS 53
- 3.1 COMPONENT IN LVL 53
- 3.2 COMPONENT OUT LVL 54
- 3.4 NTSC CONFIG 54
- 4.1 ANALOG AUDIO 54
- 5.1 UPCONVERSION 55
- 5.2 DOWNCONVERSION 56
- 6.1 GENLOCK 56
- 8.0 TC IN 56
- 8.1 TC VALUE 57
- 8.2 TC TYPE 57
- 8.3 ARM RECORDING 57
- 35.2 9-PIN REMOTE 57
- 41.1 VIDEO SG FRMT 58
- 41.2 VIDEO SG 58
- 41.3 AUDIO SG 59
- 50.1 IP CONFIG 59
- 50.2 IP ADDRESS 59
- 50.3 SUBNET MASK 60
- 50.4 STATIC GATEWAY 60
- 50.5 SYSTEM NAME 60
- 50.6 MAC ADDRESS 61
- 50.7 802.11 MAC ADDRESS 61
- 53.0 802.11 AVAILABLE 61
- 53.1 802.11 CONTROL 62
- 53.2 802.11 NETWORK 62
- 53.3 802.11 SECURITY 63
- 53.4 802.11 PASSWORD 63
- 53.5 HIDE 802.11 PASSWORD 63
- 54.1 802.11 IP CONFIG 63
- 54.2 802.11 IP ADDRESS 64
- 54.3 802.11 SUBNET MASK 64
- 55.4 DATE SET 64
- 70.2 DISPLAY INTENSITY 65
- 55.6 TIME SET 65
- 70.1 SCREEN SAVER 65
- 70.3 FAN SPEED 66
- 80.1SERIAL NUMBER 66
- 80.2 SW VERSION 66
- 99.0 FACTORY RESET 66
- Browser Remote Control 67
- General Screen 68
- Information 68
- Controlling Multiple 68
- Example: 69
- How to Use Gang Recording 69
- Resetting Values To 71
- Factory Settings 71
- Update Firmware 81
- Preparing to Update Software 81
- Appendix A: Specifications 87
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