AJA V2Analog Specifications Page 15
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Chapter 2: Getting Started
2
Overview
When using Ki Pro, you’ll make media cable connections to a variety of equipment
based on how it’s being used. Chapters 2 and 3 discuss how to operate and use the Ki
Pro in its many configurations—this chapter introduces the operating configurations,
power supply options, plus all indicators, controls, and connections so you’ll have a
working knowledge of how it can be used to tie together the worlds of acquiring
media (production) and post-production. For ease of explanation, we’ll talk about
these two ways of using the Ki Pro:
•
Stand-alone—in standalone use for
acquiring media
, the Ki Pro unit is placed on
a desktop or surface and connected by cable to video/audio sources, usually a
camera or camcorder. After acquiring media, you can use the media on a Mac,
by removing the Ki Pro storage module and directly connecting it to the Mac via
FireWire 800. Alternatively, the whole Ki Pro unit can be connected to a Mac via a
FireWire 800 cable (this feature is not yet enabled).
•
Camera Mount with Exo-skeleton—for the optimum in onset flexibility, an
optional Ki Pro Exo-skeleton camera mount can be attached to a tripod, the Ki
Pro mounted within it, and the camera mounted on top of the Exo-skeleton. This
creates a complete self contained acquisition system for acquiring Apple ProRes
422 media in realtime as the camera is shooting. As in the standalone mode, the
storage media can be easily inserted or removed for shooting and shuttling to
your editing system—without having to remove Ki Pro from the tripod. The Exo-
skeleton offers many adjustments and an optional rod accessory kit is available
for vertical/horizontal camera adjustment with respect to the rod and
accessories.
Learning about the front panel indicators will be useful in selecting operational
modes and monitoring what is happening on Ki Pro as well as troubleshooting
problems that can occur. Becoming familiar with the Ki Pro operator-side and
connectors will simplify installation, setup, and operation of the system.
On the following pages are front and rear panel illustrations with notations that
summarize all of the connectors and indicators. Detailed descriptions of each of the
connectors and indicators follow afterward.
Caution!
This device is a Class A product. Operation of this equipment in a residential area
is likely to cause harmful interference, in which case users will be required to take
whatever measures may be necessary to correct the interference at their own
expense.
Caution!
The AJA Ki Pro contains a lithium battery soldered in place
permanently (it is not user replaceable). If you ever dispose of
the Ki Pro, ensure you follow local regulations for safe disposal.
The lithium battery shall not be exposed to excessive heat, such
as sunshine or fire.
- Installation and Operation 1
- Limitation of 3
- Liability 3
- Table of Contents 5
- Chapter 1: Introduction 9
- Features 10
- Software 11
- What’s In The Box? 13
- Chapter 2: Getting Started 15
- Operator Side 16
- ADJUSTSELECT 17
- Displays and Indicators 19
- Other Front Panel Features 19
- Connector Side 20
- LTC Timecode Input And Output 21
- SDI Input and Outputs 21
- Component YPbPr 21
- 9-pin Connector 22
- ExpressCard/34 24
- Memory Cards 24
- Firewire 800 25
- Connector 25
- Power connector 25
- (AC Adapter) 25
- Installation 26
- Camera Mounting 27
- Using AC Power 31
- Using DC Power 31
- Remote Network Control 32
- TCP/IP Information 33
- Yo u’ll Need 33
- Networking via 33
- Networking Ki Pro 34
- TRANSPORT Mode 39
- TRANSPORT Mode (default) 40
- Recording Notes 41
- STATUS menus 43
- INVALID SELECTION 44
- UNRECOGNIZED MEDIA 44
- MEDIA IN USE 44
- MEDIA menus 45
- 16.2 DELETE CLIPS 46
- 17.0 REEL NAME 46
- 17.2 CLIP NAME 46
- Clip Naming—Two Examples 46
- 17.3 CLIP NUMBER 1 to 999 47
- (default = 1) 47
- 17.4 CLIP APPEND 48
- 17.5 ALPHA APPEND 48
- 17.8 TAKE 48
- Custom Clip 48
- 19.1 USE CUSTOM CLIP NAME 49
- 19.2 CUSTOM CLIP NAME 49
- 19.3 USE CUSTOM CLIP TAKE 49
- 19.4 CUSTOM TAKE 49
- Slave Name 50
- 1.1 RECORD TYPE 51
- 1.3 1080p PLAYBACK 51
- 1.4 IN CONVERT 52
- 1.5 OUT CONVERT 52
- 1.6 SDI OUT 52
- 1.7 COMPONENT OUT 52
- 1.8 HDMI OUT 52
- 2.1 VIDEO INPUT 53
- 2.2 AUDIO INPUT 53
- 2.3 AUDIO CHANNELS 53
- 3.1 COMPONENT IN LVL 53
- 3.2 COMPONENT OUT LVL 54
- 3.4 NTSC CONFIG 54
- 4.1 ANALOG AUDIO 54
- 5.1 UPCONVERSION 55
- 5.2 DOWNCONVERSION 56
- 6.1 GENLOCK 56
- 8.0 TC IN 56
- 8.1 TC VALUE 57
- 8.2 TC TYPE 57
- 8.3 ARM RECORDING 57
- 35.2 9-PIN REMOTE 57
- 41.1 VIDEO SG FRMT 58
- 41.2 VIDEO SG 58
- 41.3 AUDIO SG 59
- 50.1 IP CONFIG 59
- 50.2 IP ADDRESS 59
- 50.3 SUBNET MASK 60
- 50.4 STATIC GATEWAY 60
- 50.5 SYSTEM NAME 60
- 50.6 MAC ADDRESS 61
- 50.7 802.11 MAC ADDRESS 61
- 53.0 802.11 AVAILABLE 61
- 53.1 802.11 CONTROL 62
- 53.2 802.11 NETWORK 62
- 53.3 802.11 SECURITY 63
- 53.4 802.11 PASSWORD 63
- 53.5 HIDE 802.11 PASSWORD 63
- 54.1 802.11 IP CONFIG 63
- 54.2 802.11 IP ADDRESS 64
- 54.3 802.11 SUBNET MASK 64
- 55.4 DATE SET 64
- 70.2 DISPLAY INTENSITY 65
- 55.6 TIME SET 65
- 70.1 SCREEN SAVER 65
- 70.3 FAN SPEED 66
- 80.1SERIAL NUMBER 66
- 80.2 SW VERSION 66
- 99.0 FACTORY RESET 66
- Browser Remote Control 67
- General Screen 68
- Information 68
- Controlling Multiple 68
- Example: 69
- How to Use Gang Recording 69
- Resetting Values To 71
- Factory Settings 71
- Update Firmware 81
- Preparing to Update Software 81
- Appendix A: Specifications 87
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