AJA V2Analog Specifications Page 25
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Ki Pro Installation and Operation Manual — Storage
Removable Storage
Modules (HDD or
SSD)
Although the Ki Pro comes standard with a removable 250GB HDD Storage Module, an
optional SSD Storage Module is also available. The Ki Pro Solid State Storage Module
(SSD) is recommended for mobile environments where shock-proof sturdiness may be
needed. The Ki Pro SSD Storage Module offers the ultimate in media reliability.
You may also choose to purchase extra HDD or SSD Storage Modules so you can
quickly load and unload media from the Ki Pro unit while onset.
Storage Modules can be powered via the FireWire 800 cable, or via an AC adapter
(supplied).
Check with your AJA dealer or the AJA website for Storage Module offerings as
capacities and models may change.
Storage Module (HDD and SSD look identical—see label underneath for type)
Formatting Media To reformat storage media, it must first be selected using the SLOT button (see
previous topic). Once selected, follow these steps:
1. Press the STOP button
2. Press the MEDIA button
3. Press SELECT (up or down) repeatedly until you see the menu 16.1 Format Media.
4. Press ADJUST up arrow. Ki Pro will display “FORMAT”. Press the ADJUST up arrow
button. Ki Pro will display “CONFIRM ERASE”—press and hold the ADJUST up
arrow button for 2 seconds or longer and then formatting will begin. Ki Pro will
display progress and when done, you’ll see the 16.1 Format Media menu once
again.
Using Ki Pro Media
in Final Cut Pro
When a Ki Pro storage module (HDD or SSD) is removed and connected to a Mac via a
FireWire 800 cable, the module will mount as a normal Apple HFS+ filesystem. The REEL
NAME parameter is the name of the media that will appear mounted on the OSX
desktop.
Once a Ki Pro storage device (storage module or ExpressCard/34) is mounted, each clip
recorded by Ki Pro will be a file on its filesystem, which can be opened in Final Cut Pro.
Because the clips were recorded as Apple ProRes 422, Apple ProRes 422 (HQ), Apple
ProRes 422 (LT), or Apple ProRes 422 (Proxy) with proper Final Cut Pro metadata, they’re
instantly ready to edit.
In Final Cut Pro's browser window you will see some of the information Ki Pro saved as
data to describe the media. Ki Pro saves the “Name”, “Media Start”, “Media End” and
“Reel” for Final Cut Pro.
Note: From the Storage Module, Ki Pro supports the playback of Apple ProRes 422, Apple
ProRes 422 (HQ), Apple ProRes (LT) and Apple ProRes (Proxy) QuickTime files with
appropriate 24-bit 48kHz audio in formats and frame rates noted as supported by the latest
firmware release. Files created in other codecs or at other frame rates or frame sizes will not
result in playback if placed in the "AJA" folder on the Ki Pro Storage Module. Placing non-
Apple ProRes QuickTime files in the "AJA" folder can lead to problematic issues when
attempting "Play All" operation of clips; if media other than Apple ProRes QuickTime files
must be kept on the Ki Pro Storage Module, they should be placed outside of the "AJA"
folder on the drive.
Firewire 800
Connector
Power connector
(AC Adapter)
- Installation and Operation 1
- Limitation of 3
- Liability 3
- Table of Contents 5
- Chapter 1: Introduction 9
- Features 10
- Software 11
- What’s In The Box? 13
- Chapter 2: Getting Started 15
- Operator Side 16
- ADJUSTSELECT 17
- Displays and Indicators 19
- Other Front Panel Features 19
- Connector Side 20
- LTC Timecode Input And Output 21
- SDI Input and Outputs 21
- Component YPbPr 21
- 9-pin Connector 22
- ExpressCard/34 24
- Memory Cards 24
- Firewire 800 25
- Connector 25
- Power connector 25
- (AC Adapter) 25
- Installation 26
- Camera Mounting 27
- Using AC Power 31
- Using DC Power 31
- Remote Network Control 32
- TCP/IP Information 33
- Yo u’ll Need 33
- Networking via 33
- Networking Ki Pro 34
- TRANSPORT Mode 39
- TRANSPORT Mode (default) 40
- Recording Notes 41
- STATUS menus 43
- INVALID SELECTION 44
- UNRECOGNIZED MEDIA 44
- MEDIA IN USE 44
- MEDIA menus 45
- 16.2 DELETE CLIPS 46
- 17.0 REEL NAME 46
- 17.2 CLIP NAME 46
- Clip Naming—Two Examples 46
- 17.3 CLIP NUMBER 1 to 999 47
- (default = 1) 47
- 17.4 CLIP APPEND 48
- 17.5 ALPHA APPEND 48
- 17.8 TAKE 48
- Custom Clip 48
- 19.1 USE CUSTOM CLIP NAME 49
- 19.2 CUSTOM CLIP NAME 49
- 19.3 USE CUSTOM CLIP TAKE 49
- 19.4 CUSTOM TAKE 49
- Slave Name 50
- 1.1 RECORD TYPE 51
- 1.3 1080p PLAYBACK 51
- 1.4 IN CONVERT 52
- 1.5 OUT CONVERT 52
- 1.6 SDI OUT 52
- 1.7 COMPONENT OUT 52
- 1.8 HDMI OUT 52
- 2.1 VIDEO INPUT 53
- 2.2 AUDIO INPUT 53
- 2.3 AUDIO CHANNELS 53
- 3.1 COMPONENT IN LVL 53
- 3.2 COMPONENT OUT LVL 54
- 3.4 NTSC CONFIG 54
- 4.1 ANALOG AUDIO 54
- 5.1 UPCONVERSION 55
- 5.2 DOWNCONVERSION 56
- 6.1 GENLOCK 56
- 8.0 TC IN 56
- 8.1 TC VALUE 57
- 8.2 TC TYPE 57
- 8.3 ARM RECORDING 57
- 35.2 9-PIN REMOTE 57
- 41.1 VIDEO SG FRMT 58
- 41.2 VIDEO SG 58
- 41.3 AUDIO SG 59
- 50.1 IP CONFIG 59
- 50.2 IP ADDRESS 59
- 50.3 SUBNET MASK 60
- 50.4 STATIC GATEWAY 60
- 50.5 SYSTEM NAME 60
- 50.6 MAC ADDRESS 61
- 50.7 802.11 MAC ADDRESS 61
- 53.0 802.11 AVAILABLE 61
- 53.1 802.11 CONTROL 62
- 53.2 802.11 NETWORK 62
- 53.3 802.11 SECURITY 63
- 53.4 802.11 PASSWORD 63
- 53.5 HIDE 802.11 PASSWORD 63
- 54.1 802.11 IP CONFIG 63
- 54.2 802.11 IP ADDRESS 64
- 54.3 802.11 SUBNET MASK 64
- 55.4 DATE SET 64
- 70.2 DISPLAY INTENSITY 65
- 55.6 TIME SET 65
- 70.1 SCREEN SAVER 65
- 70.3 FAN SPEED 66
- 80.1SERIAL NUMBER 66
- 80.2 SW VERSION 66
- 99.0 FACTORY RESET 66
- Browser Remote Control 67
- General Screen 68
- Information 68
- Controlling Multiple 68
- Example: 69
- How to Use Gang Recording 69
- Resetting Values To 71
- Factory Settings 71
- Update Firmware 81
- Preparing to Update Software 81
- Appendix A: Specifications 87
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