AJA V2Analog Specifications Page 14
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6
System Requirements
AJA Video recommends that the Mac Pro or MacBook Pro used with the Ki Pro offer a
FireWire 800 port and support Apple ProRes 422 with a satisfactory level of
performance. Consult Final Cut Pro documentation when setting up and configuring
your system for editing; ensure you have an adequate storage system (RAID array)
and any needed video/audio interfaces.
Apple ProRes 422 Advantages
Data rates:
220 Mb/second Apple ProRes 422 (HQ), 145 Mb/second Apple ProRes 422,
100 Mb/second Apple ProRes 422 (LT), and 36 Mb/second Apple ProRes 422
(Proxy)—all supported by internal system drive or attached storage.
Note: Apple ProRes 422 (Proxy) is for high-quality offline editing at the original frame
size, frame rate, and aspect ratio.
Quality:
Excellent, broadcast quality
Captured media is virtually indistinguishable from pristine uncompressed sources.
Better yet, ProRes maintains the quality during editing, surviving multiple encoding/
decoding generations without degradation. It was designed by Apple for editing,
rather than as a transmission/distribution codec as are most popular codecs. Some of
the advantages include:
•
Full-size 1920-by-1080 and 1280-by-720 HD resolutions.
•
Full-size 720-by-486 and 720-by-576 SD resolutions.
•
4:2:2 chroma sampling. Provides precise compositing and blending at sharp
saturated-color boundaries.
•
10-bit sample depth. Preserves subtle gradients of 10-bit sources (perfect for
green-screen compositing, graphics or color correction) with no visible banding
artifacts.
•
I frame-only encoding. Ensures consistent quality in every frame and no artifacts
from complex motion.
•
Variable bit-rate (VBR) encoding. “Smart” encoding analyzes the image and
allocates more bits to complex frames.
•
Low data rate requirements make for more storage options and require less
drive space to store high quality video.
•
Optimized for efficient Real-Time effects
In This Manual
Chapter 1 is the introduction you’re reading, listing features, box contents, and
system requirements.
Chapter 2 gets you started with Ki Pro, introducing the front and rear panel features,
connections and indicators, and all the options available.
Chapter 3 provides complete instructions for operating the Ki Pro from the front
panel.
Chapter 4 discusses remote web browser control of Ki Pro via Ethernet or 802.11b/g.
- Installation and Operation 1
- Limitation of 3
- Liability 3
- Table of Contents 5
- Chapter 1: Introduction 9
- Features 10
- Software 11
- What’s In The Box? 13
- Chapter 2: Getting Started 15
- Operator Side 16
- ADJUSTSELECT 17
- Displays and Indicators 19
- Other Front Panel Features 19
- Connector Side 20
- LTC Timecode Input And Output 21
- SDI Input and Outputs 21
- Component YPbPr 21
- 9-pin Connector 22
- ExpressCard/34 24
- Memory Cards 24
- Firewire 800 25
- Connector 25
- Power connector 25
- (AC Adapter) 25
- Installation 26
- Camera Mounting 27
- Using AC Power 31
- Using DC Power 31
- Remote Network Control 32
- TCP/IP Information 33
- Yo u’ll Need 33
- Networking via 33
- Networking Ki Pro 34
- TRANSPORT Mode 39
- TRANSPORT Mode (default) 40
- Recording Notes 41
- STATUS menus 43
- INVALID SELECTION 44
- UNRECOGNIZED MEDIA 44
- MEDIA IN USE 44
- MEDIA menus 45
- 16.2 DELETE CLIPS 46
- 17.0 REEL NAME 46
- 17.2 CLIP NAME 46
- Clip Naming—Two Examples 46
- 17.3 CLIP NUMBER 1 to 999 47
- (default = 1) 47
- 17.4 CLIP APPEND 48
- 17.5 ALPHA APPEND 48
- 17.8 TAKE 48
- Custom Clip 48
- 19.1 USE CUSTOM CLIP NAME 49
- 19.2 CUSTOM CLIP NAME 49
- 19.3 USE CUSTOM CLIP TAKE 49
- 19.4 CUSTOM TAKE 49
- Slave Name 50
- 1.1 RECORD TYPE 51
- 1.3 1080p PLAYBACK 51
- 1.4 IN CONVERT 52
- 1.5 OUT CONVERT 52
- 1.6 SDI OUT 52
- 1.7 COMPONENT OUT 52
- 1.8 HDMI OUT 52
- 2.1 VIDEO INPUT 53
- 2.2 AUDIO INPUT 53
- 2.3 AUDIO CHANNELS 53
- 3.1 COMPONENT IN LVL 53
- 3.2 COMPONENT OUT LVL 54
- 3.4 NTSC CONFIG 54
- 4.1 ANALOG AUDIO 54
- 5.1 UPCONVERSION 55
- 5.2 DOWNCONVERSION 56
- 6.1 GENLOCK 56
- 8.0 TC IN 56
- 8.1 TC VALUE 57
- 8.2 TC TYPE 57
- 8.3 ARM RECORDING 57
- 35.2 9-PIN REMOTE 57
- 41.1 VIDEO SG FRMT 58
- 41.2 VIDEO SG 58
- 41.3 AUDIO SG 59
- 50.1 IP CONFIG 59
- 50.2 IP ADDRESS 59
- 50.3 SUBNET MASK 60
- 50.4 STATIC GATEWAY 60
- 50.5 SYSTEM NAME 60
- 50.6 MAC ADDRESS 61
- 50.7 802.11 MAC ADDRESS 61
- 53.0 802.11 AVAILABLE 61
- 53.1 802.11 CONTROL 62
- 53.2 802.11 NETWORK 62
- 53.3 802.11 SECURITY 63
- 53.4 802.11 PASSWORD 63
- 53.5 HIDE 802.11 PASSWORD 63
- 54.1 802.11 IP CONFIG 63
- 54.2 802.11 IP ADDRESS 64
- 54.3 802.11 SUBNET MASK 64
- 55.4 DATE SET 64
- 70.2 DISPLAY INTENSITY 65
- 55.6 TIME SET 65
- 70.1 SCREEN SAVER 65
- 70.3 FAN SPEED 66
- 80.1SERIAL NUMBER 66
- 80.2 SW VERSION 66
- 99.0 FACTORY RESET 66
- Browser Remote Control 67
- General Screen 68
- Information 68
- Controlling Multiple 68
- Example: 69
- How to Use Gang Recording 69
- Resetting Values To 71
- Factory Settings 71
- Update Firmware 81
- Preparing to Update Software 81
- Appendix A: Specifications 87
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