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9
Apple ProRes 422 Advantages
Quality using Apple ProRes 422 is excellent—broadcast quality. Captured media is
virtually indistinguishable from pristine uncompressed sources. Better yet, ProRes
maintains the quality during editing, surviving multiple encoding/decoding generations
without degradation. It was designed by Apple for editing, rather than as a transmission/
distribution codec as are most popular codecs. Some of the advantages include:
• Full-size 1920-by-1080 and 1280-by-720 HD resolutions.
• Full-size 720-by-486 and 720-by-576 SD resolutions.
• 4:2:2 chroma sampling. Provides precise compositing and blending at sharp saturated-
color boundaries.
• 10-bit sample depth. Preserves subtle gradients of 10-bit sources (perfect for green-
screen compositing, graphics or color correction) with no visible banding artifacts.
• I frame-only encoding. Ensures consistent quality in every frame and no artifacts from
complex motion.
• Variable bit-rate (VBR) encoding. “Smart” encoding analyzes the image and allocates
more bits to complex frames.
• Low data rate requirements make for more storage options and require less drive space
to store high quality video.
• Optimized for efficient Real-Time effects.
Data rates: • 220 Mb/second Apple ProRes 422 (HQ)
• 145 Mb/second Apple ProRes 422
• 100 Mb/second Apple ProRes 422 (LT)
• 36 Mb/second Apple ProRes 422 (Proxy).
NOTE: Apple ProRes 422 (Proxy) is for high-quality offline editing at the original frame size, frame
rate, and aspect ratio.
Avid DNxHD Advantages
Quality using Avid DNxHD is excellent—HD quality encoding without high bandwidth
requirements. Avid DNxHD was designed for non-linear post-production and
broadcastmto withstand multi-generational processing.
• Full-size 1920-by-1080 and 1280-by-720 HD resolutions.
• 4:2:2 chroma sampling.
• 10-bit sample depth (for DNxHD 220x) or 8-bit.
• Every frame of encoding is independent.
• Variable bit-rate (VBR) encoding.
• Low data rate requirements.
Data Rates: • 220 Mb/second
• 185 Mb/second or 175 Mb/second when DNxHD 220x has been selected (Mb/second
varies depending upon the format and frame rate)
• 145Mb/second
• 120 Mb/second or 115Mb/second when DNxHD 145 has been selected (Mb/second
varies depending upon the format and frame rate).
- Version 4.2 1
- Published: September 30, 2013 1
- Table of Contents 2
- Trademarks 6
- Copyright 6
- Contacting Support 6
- Chapter 1: Introduction 7
- Features 8
- Apple ProRes 422 Advantages 9
- Avid DNxHD Advantages 9
- In This Manual 10
- Overview 11
- Operator Side 12
- Displays and Indicators 14
- Connector Side 15
- 422 devices 16
- Removable Storage 18
- Modules (HDD or 18
- Using Ki Pro Media 19
- Rack in Final Cut Pro 19
- Using Ki Pro Rack 20
- Media with Avid 20
- Media Composer 20
- Chapter 3: Installation 21
- What’s In The Box? 22
- Remote Network Control 24
- TCP/IP Information 25
- You’ll Need 25
- Networking via 25
- Networking Ki Pro 26
- Mac Ping Procedure 28
- TRANSPORT Mode (default) 30
- Recording Notes 32
- STATUS menus 33
- Alarm Status 34
- MEDIA menus 36
- Data-LAN 37
- Considerations 37
- 14.0 ENCODE MODE 37
- 14.1 ENCODE TYPE 38
- 15.1 PLAY MEDIA 38
- 15.2 LOOP PLAY 38
- 15.3 PLAYLIST 38
- 15.4 DROPPED FRAMES 38
- Custom Clip 41
- CONFIG menus 43
- 1.1 RECORD TYPE 44
- 1.3 1080p PLAYBACK 44
- 1.4 IN CONVERT 44
- 1.5 OUT CONVERT 45
- 1.6 SDI OUT 45
- 1.6 SDI 2 OUT 45
- 1.7 COMPONENT OUT 45
- 1.8 HDMI OUT 45
- 1.9 SUPER OUT 46
- 2.1 VIDEO INPUT 46
- 2.2 AUDIO INPUT 46
- 2.3 AUDIO CHANNELS 46
- 3.1 COMPONENT IN LVL 47
- 3.2 COMPONENT OUT 47
- 3.4 NTSC CONFIG 47
- 4.1 ANALOG AUDIO 47
- 4.2 AUDIO LVL L 48
- 4.3 AUDIO LVL R 48
- 5.1 UPCONVERSION 48
- 5.2 DOWNCONVERSION 49
- 6.1 GENLOCK 50
- 8.0 TC IN 50
- 8.1 TC VALUE 51
- 8.2 TC TYPE 51
- 8.3 ARM RECORDING 51
- 9.0 INTERVAL RECORD 51
- 9.1 INTERVAL FRAMES 52
- 9.2 INTERVAL TIME 52
- 13.1 CAMERA DATA 52
- IMPORTANT Notes 53
- About Cameras 53
- Supported by 13.1 53
- IMPORTANT Note 54
- About Using DNxHD 54
- Encoding with 13.1 54
- Camera Data 54
- 32.0 LOSS OF VIDEO 54
- 35.2 REMOTE CONTROL 55
- 41.1 VIDEO SG FRMT 56
- 41.2 VIDEO SG 57
- 41.3 AUDIO SG 57
- 50.1 IP CONFIG 57
- 50.2 IP ADDRESS 57
- 50.3 SUBNET MASK 58
- 50.4 STATIC GATEWAY 58
- 50.5 SYSTEM NAME 59
- 50.6 MAC ADDRESS 59
- 50.9 USER 59
- AUTHENTICATION 59
- 55.4 DATE SET 60
- 55.6 TIME SET 60
- 70.1 SCREEN SAVER 60
- Remote Control Overview 62
- Web Browser via Ethernet 62
- Update Firmware 76
- Upload and Install the 77
- Software on Your Ki Pro 77
- Advanced Features 78
- Gang Recording 80
- Working with the All 81
- Clips Playlist 81
- Creating a Playlist 81
- Playback of a Playlist 83
- Storing a Preset 83
- Recalling Presets 84
- All Clips and Media 86
- State > Data-LAN 86
- Appropriately Encoded 87
- Appendix A: Specifications 88
- Panel User Interface 89
- Timecode 89
- Serial Port 89
- Hardware Conversion 89
- Physical 90
- Canadian ICES Statement 91
- Regulatory Compliance 92
- Taiwan Compliance Statement 93
- Chinese Compliance Statement 93
- Messages 94
- Limited Warranty 108
- Limitation of Liability 109
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