AJA Ki PRO rack Specifications Page 52
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9.1 INTERVAL FRAMES
Determines how many frames from the incoming video will be used for the recording.
These are the available options:
9.2 INTERVAL TIME
Determines the time period from which the interval frames are selected. These are the
available options;
13.1 CAMERA DATA
Some cameras produce SDI ancillary data that users may want to transfer to their Ki Pro
Rack recordings. Examples include: start/stop commands, timecode, reel name, clip
name and take. The CONFIG menu parameter 13.1 Camera Data is designed to address
this use of SDI ancillary data. The default for this parameter is “None”; when this is
selected, no camera metadata is passed to any of the Ki Pro Rack parameters even if a
camera with SDI ancillary data is connected to the Ki Pro Rack. If an appropriate camera is
present and sending appropriate SDI ancillary data and that camera manufacturer/
model is selected from the list, then AJA passes as much of the metadata that is available
from the camera (and is viable for AJA to support) into the Ki Pro Rack’s timecode value,
file name, and other applicable parameters.
These are the available options:
Incrementing Value Sets number of frames to use for the recording.
Second
Minute
Hour
The second from which interval frames are selected.
The minute from which interval frames are selected.
The hour from which the interval frames are selected.
NONE (default)
RED One 24
RED One 25
RED Epic
Canon XF
Canon C300
Pana AF100
Sony F3
ARRI Alexa
Canon HDMI
Camera metadata is not passed to any of the Ki Pro Rack parameters
even if a camera with ancillary data is connected to the
Ki Pro Rack
.
Red One 24 Camera metadata available from the camera is passed into
the
Ki Pro Rack
’s timecode value, file name, and other applicable
parameters.
Red One 25 Camera metadata available from the camera is passed into
the
Ki Pro Rack
’s timecode value, file name, and other applicable
parameters.
Red Epic Camera metadata available from the camera is passed into the
Ki Pro Rack
’s timecode value, file name, and other applicable
parameters.
Canon XF-series with SDI outputs will provide ancillary data that
produces start/stop commands and timecode values but not clip
naming.
Canon C300 cameras provide ancillary data that produces start/stop
commands and timecode values but not clip naming.
Panasonic AG-AF100 series cameras provide ancillary data that
produces start/stop commands and timecode values but not clip
naming. If the camera is configured for 720p 23.98 (24), 720p 25 or
720p 29.97 (30) recording, this Camera Data setting will also allow the
extraction of these frame rates for recording on the
Ki Pro Rack
.
Sony PMW-F3 SDI outputs will provide ancillary data that produces
start/stop commands and timecode values but not clip naming.
ARRI Alexa cameras provide ancillary data that produces start/stop
commands and timecode values; clip naming is not yet supported.
Certain Canon HDMI cameras, such as the C100, provide ancillary data
via HDMI that produces start/stop commands and timecode values
but not clip naming.
- Version 4.2 1
- Published: September 30, 2013 1
- Table of Contents 2
- Trademarks 6
- Copyright 6
- Contacting Support 6
- Chapter 1: Introduction 7
- Features 8
- Apple ProRes 422 Advantages 9
- Avid DNxHD Advantages 9
- In This Manual 10
- Overview 11
- Operator Side 12
- Displays and Indicators 14
- Connector Side 15
- 422 devices 16
- Removable Storage 18
- Modules (HDD or 18
- Using Ki Pro Media 19
- Rack in Final Cut Pro 19
- Using Ki Pro Rack 20
- Media with Avid 20
- Media Composer 20
- Chapter 3: Installation 21
- What’s In The Box? 22
- Remote Network Control 24
- TCP/IP Information 25
- You’ll Need 25
- Networking via 25
- Networking Ki Pro 26
- Mac Ping Procedure 28
- TRANSPORT Mode (default) 30
- Recording Notes 32
- STATUS menus 33
- Alarm Status 34
- MEDIA menus 36
- Data-LAN 37
- Considerations 37
- 14.0 ENCODE MODE 37
- 14.1 ENCODE TYPE 38
- 15.1 PLAY MEDIA 38
- 15.2 LOOP PLAY 38
- 15.3 PLAYLIST 38
- 15.4 DROPPED FRAMES 38
- Custom Clip 41
- CONFIG menus 43
- 1.1 RECORD TYPE 44
- 1.3 1080p PLAYBACK 44
- 1.4 IN CONVERT 44
- 1.5 OUT CONVERT 45
- 1.6 SDI OUT 45
- 1.6 SDI 2 OUT 45
- 1.7 COMPONENT OUT 45
- 1.8 HDMI OUT 45
- 1.9 SUPER OUT 46
- 2.1 VIDEO INPUT 46
- 2.2 AUDIO INPUT 46
- 2.3 AUDIO CHANNELS 46
- 3.1 COMPONENT IN LVL 47
- 3.2 COMPONENT OUT 47
- 3.4 NTSC CONFIG 47
- 4.1 ANALOG AUDIO 47
- 4.2 AUDIO LVL L 48
- 4.3 AUDIO LVL R 48
- 5.1 UPCONVERSION 48
- 5.2 DOWNCONVERSION 49
- 6.1 GENLOCK 50
- 8.0 TC IN 50
- 8.1 TC VALUE 51
- 8.2 TC TYPE 51
- 8.3 ARM RECORDING 51
- 9.0 INTERVAL RECORD 51
- 9.1 INTERVAL FRAMES 52
- 9.2 INTERVAL TIME 52
- 13.1 CAMERA DATA 52
- IMPORTANT Notes 53
- About Cameras 53
- Supported by 13.1 53
- IMPORTANT Note 54
- About Using DNxHD 54
- Encoding with 13.1 54
- Camera Data 54
- 32.0 LOSS OF VIDEO 54
- 35.2 REMOTE CONTROL 55
- 41.1 VIDEO SG FRMT 56
- 41.2 VIDEO SG 57
- 41.3 AUDIO SG 57
- 50.1 IP CONFIG 57
- 50.2 IP ADDRESS 57
- 50.3 SUBNET MASK 58
- 50.4 STATIC GATEWAY 58
- 50.5 SYSTEM NAME 59
- 50.6 MAC ADDRESS 59
- 50.9 USER 59
- AUTHENTICATION 59
- 55.4 DATE SET 60
- 55.6 TIME SET 60
- 70.1 SCREEN SAVER 60
- Remote Control Overview 62
- Web Browser via Ethernet 62
- Update Firmware 76
- Upload and Install the 77
- Software on Your Ki Pro 77
- Advanced Features 78
- Gang Recording 80
- Working with the All 81
- Clips Playlist 81
- Creating a Playlist 81
- Playback of a Playlist 83
- Storing a Preset 83
- Recalling Presets 84
- All Clips and Media 86
- State > Data-LAN 86
- Appropriately Encoded 87
- Appendix A: Specifications 88
- Panel User Interface 89
- Timecode 89
- Serial Port 89
- Hardware Conversion 89
- Physical 90
- Canadian ICES Statement 91
- Regulatory Compliance 92
- Taiwan Compliance Statement 93
- Chinese Compliance Statement 93
- Messages 94
- Limited Warranty 108
- Limitation of Liability 109
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