AJA Ki PRO rack Specifications Page 44
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1.1 RECORD TYPE
This parameter defines the frame recording method of media stored. RECORD TYPE can
be configured to record the incoming video signal in a “NORMAL” manner, “PsF” signal if
the incoming source is 1080psf 29.97 (for example), or variable frame rate (VFR). These
are the available options:
NOTE: A 23.98Hz source is automatically treated as PsF, regardless of this setting. For 29.97 Hz or 25
Hz, “NORMAL” means encode as interlaced and “PSF” means encode as progressive. This only
applies to 1080 formats. The following details clarify each case:
• 1080PsF 23.98 incoming video > Normal selected > 1080p 23.98 recorded to disk.
• 1080i 25 incoming video > PsF selected > 1080p 25 recorded to disk.
• 1080i 29.97 incoming video > PsF selected > 1080p 29.97 recorded to disk.
• 1080PsF signal is recorded to disk as progressive; progressive material on disk may be
played back as PsF or progressive on the video outputs; this selection can be made in
parameter 1.3 1080p Playback.
VFR (Variable Frame Rate) recording makes use of meta data embedded in the RP188
data stream on the SD-SDI/HD-SDI input, allowing for the frame rate to change actively.
Examples of cameras offering variable frame rate include Panasonic AJ-HDC27 and
several cameras from the Panasonic HPX line.
Beginning with Ki Pro version 3.0 firmware, select cameras that output 1080p within a
1080i signal are also supported by the VFR selection. For the Canon XH-G1s, 1080p 23.98
may be extracted from the 1080i 29.97 signal when VFR is selected. For the Canon EOS
C300, 1080p 23.98 may be extracted from the 1080i 29.97 signal and 1080p 24 may be
extracted from the 1080i 30 signal. For the Canon EOS C300 formats of 1080p 25 and
1080p 29.97, set the Record Type to PsF to produce progressive frame recordings.
NOTE: 720p VFR rates of 23.98, 25 and 29.97fps and 1080p VFR support are not provided when using
the DNxHD encoding mode. VFR support for DNxHD will be added with a future firmware
update.
1.3 1080p PLAYBACK
This parameter defines the format applied when 1080p media is played back from
storage. These are the available options:
NOTE: HDMI output of progressive material requires the use of 1080p Playback set to Progressive;
HDMI only tends to support true progressive or interlace video, not PsF.
1.4 IN CONVERT
This parameter defines the type of up, down, cross, or aspect-ratio conversion, if any,
applied to the selected input and stored when recording. These are the available options:
NORMAL (default)
PsF
VFR
Record standard format as input
Record progressive segmented frame
Record variable frame rate
PsF (default)
Progressive
Playback as 1080 progessive segmented frame (regardless of
what was recorded when input)
Playback as standard 1080p progressive frame
NONE (default)
SD
HD 720
HD 1080
No conversion of selected input.
Convert selected input to SD
Convert selected input to HD 720
Convert selected input to HD 1080
- Version 4.2 1
- Published: September 30, 2013 1
- Table of Contents 2
- Trademarks 6
- Copyright 6
- Contacting Support 6
- Chapter 1: Introduction 7
- Features 8
- Apple ProRes 422 Advantages 9
- Avid DNxHD Advantages 9
- In This Manual 10
- Overview 11
- Operator Side 12
- Displays and Indicators 14
- Connector Side 15
- 422 devices 16
- Removable Storage 18
- Modules (HDD or 18
- Using Ki Pro Media 19
- Rack in Final Cut Pro 19
- Using Ki Pro Rack 20
- Media with Avid 20
- Media Composer 20
- Chapter 3: Installation 21
- What’s In The Box? 22
- Remote Network Control 24
- TCP/IP Information 25
- You’ll Need 25
- Networking via 25
- Networking Ki Pro 26
- Mac Ping Procedure 28
- TRANSPORT Mode (default) 30
- Recording Notes 32
- STATUS menus 33
- Alarm Status 34
- MEDIA menus 36
- Data-LAN 37
- Considerations 37
- 14.0 ENCODE MODE 37
- 14.1 ENCODE TYPE 38
- 15.1 PLAY MEDIA 38
- 15.2 LOOP PLAY 38
- 15.3 PLAYLIST 38
- 15.4 DROPPED FRAMES 38
- Custom Clip 41
- CONFIG menus 43
- 1.1 RECORD TYPE 44
- 1.3 1080p PLAYBACK 44
- 1.4 IN CONVERT 44
- 1.5 OUT CONVERT 45
- 1.6 SDI OUT 45
- 1.6 SDI 2 OUT 45
- 1.7 COMPONENT OUT 45
- 1.8 HDMI OUT 45
- 1.9 SUPER OUT 46
- 2.1 VIDEO INPUT 46
- 2.2 AUDIO INPUT 46
- 2.3 AUDIO CHANNELS 46
- 3.1 COMPONENT IN LVL 47
- 3.2 COMPONENT OUT 47
- 3.4 NTSC CONFIG 47
- 4.1 ANALOG AUDIO 47
- 4.2 AUDIO LVL L 48
- 4.3 AUDIO LVL R 48
- 5.1 UPCONVERSION 48
- 5.2 DOWNCONVERSION 49
- 6.1 GENLOCK 50
- 8.0 TC IN 50
- 8.1 TC VALUE 51
- 8.2 TC TYPE 51
- 8.3 ARM RECORDING 51
- 9.0 INTERVAL RECORD 51
- 9.1 INTERVAL FRAMES 52
- 9.2 INTERVAL TIME 52
- 13.1 CAMERA DATA 52
- IMPORTANT Notes 53
- About Cameras 53
- Supported by 13.1 53
- IMPORTANT Note 54
- About Using DNxHD 54
- Encoding with 13.1 54
- Camera Data 54
- 32.0 LOSS OF VIDEO 54
- 35.2 REMOTE CONTROL 55
- 41.1 VIDEO SG FRMT 56
- 41.2 VIDEO SG 57
- 41.3 AUDIO SG 57
- 50.1 IP CONFIG 57
- 50.2 IP ADDRESS 57
- 50.3 SUBNET MASK 58
- 50.4 STATIC GATEWAY 58
- 50.5 SYSTEM NAME 59
- 50.6 MAC ADDRESS 59
- 50.9 USER 59
- AUTHENTICATION 59
- 55.4 DATE SET 60
- 55.6 TIME SET 60
- 70.1 SCREEN SAVER 60
- Remote Control Overview 62
- Web Browser via Ethernet 62
- Update Firmware 76
- Upload and Install the 77
- Software on Your Ki Pro 77
- Advanced Features 78
- Gang Recording 80
- Working with the All 81
- Clips Playlist 81
- Creating a Playlist 81
- Playback of a Playlist 83
- Storing a Preset 83
- Recalling Presets 84
- All Clips and Media 86
- State > Data-LAN 86
- Appropriately Encoded 87
- Appendix A: Specifications 88
- Panel User Interface 89
- Timecode 89
- Serial Port 89
- Hardware Conversion 89
- Physical 90
- Canadian ICES Statement 91
- Regulatory Compliance 92
- Taiwan Compliance Statement 93
- Chinese Compliance Statement 93
- Messages 94
- Limited Warranty 108
- Limitation of Liability 109
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