AJA Ki PRO rack Specifications Page 15
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During a period of 3 minutes of inactivity, the VFD will go to a screensaver mode— if the
Screen Saver parameter has been set in the CONFIG menu.
VU Meters: The VU meters are 7-segment LEDs show audio input levels for the 2 analog audio
channels (respectively).
Green: Indicates that the audio source signal level is in the “safe” area (no clipping). Vertically,
the green LEDs also show the signal strength, so you can see if the signal level is low.
Generally, it’s preferred to have the signal near the top of the green or even occasionally
peaking into the yellow LEDs.
Yellow: Indicates that the audio source signal levels are at the peak edge of the safe area before
clipping will occur.
Red: Indicates that the audio source amplitude is too hot and the signal is clipping at its signal
peaks. You should reduce the input gain at its source (camera, mixer or source equipment
supplying the signal).
Slot LED: This is the Disk Storage Module Status Indicator and indicates the following media
statuses:
LED lit/on: selected media
LED unlit/off: inactive media, okay to eject or no media inserted
LED flashing: recording in progress
Other Front Panel
Features
The following additional features are also present on the front panel.
Head Phone Jack: 1/8” (3.5mm) miniature stereo TRS connection for standard stereo headphones.
Connector Side
The connector side of Ki Pro Rack contains the available audio/video connections.
Connect any camcorder, camera, or audio source—digital or analog—regardless of
brand or format, to Ki Pro Rack’s many connectors. On the back side of the unit, two AC
line cords provide redundant 100-240 VAC 50/60 Hz power to the dual power connectors
(see Installation later in this chapter).
The function of Ki Pro Rack’s inputs and outputs depends on the operational mode. Ki Pro
Rack’s active input (the one to be recorded) is selected by the front panel or web browser
interface. Ki Pro Rack’s outputs are active all the time. In other words, the same output
video appears simultaneously on the HDMI, SDI, component, and composite outputs.
This method of operation allows simultaneous connection to source devices, onset
monitoring displays, and audio equipment.
NOTE: You should be aware of the limitations of each output. The composite output is by definition
an SD signal, so it will not output HD. The HDMI output is by definition an HDMI-compatible
signal, so 1080PsF formats cannot be output via HDMI; instead use a true progressive format
for the HDMI output.
- Version 4.2 1
- Published: September 30, 2013 1
- Table of Contents 2
- Trademarks 6
- Copyright 6
- Contacting Support 6
- Chapter 1: Introduction 7
- Features 8
- Apple ProRes 422 Advantages 9
- Avid DNxHD Advantages 9
- In This Manual 10
- Overview 11
- Operator Side 12
- Displays and Indicators 14
- Connector Side 15
- 422 devices 16
- Removable Storage 18
- Modules (HDD or 18
- Using Ki Pro Media 19
- Rack in Final Cut Pro 19
- Using Ki Pro Rack 20
- Media with Avid 20
- Media Composer 20
- Chapter 3: Installation 21
- What’s In The Box? 22
- Remote Network Control 24
- TCP/IP Information 25
- You’ll Need 25
- Networking via 25
- Networking Ki Pro 26
- Mac Ping Procedure 28
- TRANSPORT Mode (default) 30
- Recording Notes 32
- STATUS menus 33
- Alarm Status 34
- MEDIA menus 36
- Data-LAN 37
- Considerations 37
- 14.0 ENCODE MODE 37
- 14.1 ENCODE TYPE 38
- 15.1 PLAY MEDIA 38
- 15.2 LOOP PLAY 38
- 15.3 PLAYLIST 38
- 15.4 DROPPED FRAMES 38
- Custom Clip 41
- CONFIG menus 43
- 1.1 RECORD TYPE 44
- 1.3 1080p PLAYBACK 44
- 1.4 IN CONVERT 44
- 1.5 OUT CONVERT 45
- 1.6 SDI OUT 45
- 1.6 SDI 2 OUT 45
- 1.7 COMPONENT OUT 45
- 1.8 HDMI OUT 45
- 1.9 SUPER OUT 46
- 2.1 VIDEO INPUT 46
- 2.2 AUDIO INPUT 46
- 2.3 AUDIO CHANNELS 46
- 3.1 COMPONENT IN LVL 47
- 3.2 COMPONENT OUT 47
- 3.4 NTSC CONFIG 47
- 4.1 ANALOG AUDIO 47
- 4.2 AUDIO LVL L 48
- 4.3 AUDIO LVL R 48
- 5.1 UPCONVERSION 48
- 5.2 DOWNCONVERSION 49
- 6.1 GENLOCK 50
- 8.0 TC IN 50
- 8.1 TC VALUE 51
- 8.2 TC TYPE 51
- 8.3 ARM RECORDING 51
- 9.0 INTERVAL RECORD 51
- 9.1 INTERVAL FRAMES 52
- 9.2 INTERVAL TIME 52
- 13.1 CAMERA DATA 52
- IMPORTANT Notes 53
- About Cameras 53
- Supported by 13.1 53
- IMPORTANT Note 54
- About Using DNxHD 54
- Encoding with 13.1 54
- Camera Data 54
- 32.0 LOSS OF VIDEO 54
- 35.2 REMOTE CONTROL 55
- 41.1 VIDEO SG FRMT 56
- 41.2 VIDEO SG 57
- 41.3 AUDIO SG 57
- 50.1 IP CONFIG 57
- 50.2 IP ADDRESS 57
- 50.3 SUBNET MASK 58
- 50.4 STATIC GATEWAY 58
- 50.5 SYSTEM NAME 59
- 50.6 MAC ADDRESS 59
- 50.9 USER 59
- AUTHENTICATION 59
- 55.4 DATE SET 60
- 55.6 TIME SET 60
- 70.1 SCREEN SAVER 60
- Remote Control Overview 62
- Web Browser via Ethernet 62
- Update Firmware 76
- Upload and Install the 77
- Software on Your Ki Pro 77
- Advanced Features 78
- Gang Recording 80
- Working with the All 81
- Clips Playlist 81
- Creating a Playlist 81
- Playback of a Playlist 83
- Storing a Preset 83
- Recalling Presets 84
- All Clips and Media 86
- State > Data-LAN 86
- Appropriately Encoded 87
- Appendix A: Specifications 88
- Panel User Interface 89
- Timecode 89
- Serial Port 89
- Hardware Conversion 89
- Physical 90
- Canadian ICES Statement 91
- Regulatory Compliance 92
- Taiwan Compliance Statement 93
- Chinese Compliance Statement 93
- Messages 94
- Limited Warranty 108
- Limitation of Liability 109
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